Many artists want an exhibit at the Guggenheim Museum in New York. John Morse did not wait for the invitation.
Morse, who has spent decades gamely engaging visual poetry, installation, collage and public art, gently invaded the iconic museum on July 12 to create The Color Spectrum at the Guggenheim, a walking panoply of the rainbow flag featuring six collaborators, each in an oversized t-shirt in one of the primary or secondary colors. Aligned side-by-side, the pop-up installation/guerilla performance wended from the top of the museum's famed circular walkway to the floor of the conical rotunda in a literally moving interpretation of a prism.
The event, quiet in its presence but full voiced in its imagery, intrigued more than a few museum goers, according to the event’s participants who reported such comments as, "Look! It's an art piece!" and "You are art, aren't you?" Museum personnel, too, seemed largely bemused by the event, with at least one guard asking the colorful six, “Where’s my t-shirt?”
Though photography is not allowed on the museum's ramp, several onlookers discretely documented the happening. They included sculptor Jaynie Gillman Crimmins, who managed to catch a particularly compelling image, and award-winning cinematographer Edward Marritz, co-shooter of 1994 Best Oscar documentary Maya Lin: A Strong Clear Vision, who captured the happening in footage featured in a brief video posted to YouTube. For the video, Brooklyn based musician and frequent Morse collaborator Ford Rogers composed and performed an original soundtrack, Round and Down.
The color spectrum has been a consistent touchstone in Morse's public art since at least 1988, when he installed The Color Spectrum in Fruits and Vegetables, an actual a 16-foot wide wooden fruit stand densely packed with – yes – fruits and vegetables arranged à la the rainbow, for an opening at the then nascent Socrates Sculpture Park. In late 2012, he tied 50 “Rainbow Prayer Flags,” a gay flag interpretation of the traditional religious strings of cloth squares, at street corners throughout Atlanta as a way to welcome in 2013. As recently as this past June, he and collaborators reconditioned a graffiti covered wall in Atlanta with a Stonewall anniversary salute of color and neighborhood pride (see below).
Morse has a long history of placing art in surprising, often unexpected places, though this is the first time that the unexpected place for art was, in fact, an art museum.
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